• Gwendolyn Wright Bio

The Gail Kern Paster Reading Room at the Folger Shakespeare Library, with a in the foreground. Country Type Research library Scope Early modern Europe, Established 1932 Location Coordinates: Collection Items collected Shakespeare-related materials, rare, Other information Director Website The Folger Shakespeare Library is an independent research on in, in the United States. It has the world's largest collection of the printed works of, and is a primary repository for rare materials from the (1500–1750). The library was established by in association with his wife,. It opened in 1932, two years after his death. The library offers advanced scholarly programs and national outreach to classroom teachers on Shakespeare education.

Scripts - Original Scripts, Unproduced Scripts. Fifteen years after his abduction at age 1.Adrian's isolated life begins to change in. Building The Dream Gwendolyn Wright Pdf File. Reader- Response Criticism (1. Structuralism and Semiotics (1. Post- Structuralism, Deconstruction, Postmodernism (1.

Other performances and events at the Folger include the award-winning Folger Theatre, which produces Shakespeare-inspired theater; Folger Consort, the early-music ensemble-in-residence; the O.B. Hardison Poetry Series; the PEN/Faulkner Reading Series; and numerous other exhibits, seminars, talks and lectures, and family programs. It also has several publications, including the Folger Library editions of Shakespeare's plays, the journal, the teacher resource books Shakespeare Set Free, and. The Folger is also a leader in methods of rare materials.

The library is privately endowed and administered by the Trustees of. The library building is listed on the. Contents. History executive, a graduate of, was an avid collector of, beginning in 1889 with the purchase of a 1685. Toward the end of, he and his wife began searching for a location for a Shakespeare library based on their collection.

They chose a location adjacent to the in Washington, D.C. The land was then occupied by townhouses, and Folger spent several years buying the separate lots. The site was designated for expansion by the Library of Congress, but in 1928, passed a resolution allowing its use for Folger's project. The of the library was laid in May 1930, but Folger died soon afterward. The bulk of Folger's fortune was left in, with Amherst College as administrator, for the library.

Early members of the board included Amherst graduate and former president, second chairman of the Board of Trustees. Because of the, Folger's estate was smaller than he had planned, although still substantial. Emily Folger, who had worked with her husband on his collection, supplied the funds to complete the project. The library opened on April 23, 1932, the anniversary of what is believed to be Shakespeare's date of birth. Emily Folger remained involved in its administration until shortly before her death in 1936. In 2005, the Folger Board of Governors undertook administration of the Folger under the auspices of the Amherst Board of Trustees, though the Amherst board continues to manage the Folger's budget. The Folger's first official reader was B.

Roland Lewis, who later published The Shakespeare Documents: Facsimiles, Transliterations, Translations, and Commentary based on his research. The first fellowships were distributed in 1936. Early Folger exhibitions featured enticing items in the collection, including 's copy of Shakespeare's works, an Elizabethan, and 's costume. Current practices for Folger exhibitions did not begin until 1964, when the first exhibition curated on site opened. During the, 30,000 items from the Folger collection were transported under guard to Amherst College's Converse Library, where they were stored for the duration of the war in case of an enemy attack on Washington, D.C.

Many of the Folger's current public events and programs began in the 1970s under the leadership of director O.B. Under his direction, the Folger's theater was brought up to Washington, D.C. Fire code, permitting performances by the Folger Theatre Group, the library's first professional company. The Folger Poetry Series also began in 1970. Hardison formed the Folger Institute, which coordinates academic programs and research at the Library. Folger Consort, the Library's early music ensemble, began performances in 1977. The first Director of the Library, from 1940 to 1946, was Buildings and grounds.

Gail Kern Paster Reading Room The Reading Room officially opened in January 1933 and today contains reference works for easy accessibility to readers. From 1977 to 1983, the Folger Shakespeare Library was renovated. Design was provided by Hartman-Cox Architects.

During this renovation, it included the addition of new book stacks, renovation of office spaces, and an expansion to the Reading Room. A second, more modern reading room dedicated as the Theodora Sedgwick Bond- Memorial Reading Room was completed in 1982. Upon Gail Kern Paster's retirement as director of the Folger in 2011, the original reading room was renamed the Gail Kern Paster Reading Room.

Henry Folger wanted the Library's reading room to feel at once like a private home and the Great Hall of an English college. It features stained-glass windows and a large stone fireplace which has never been used. The large stained-glass window overlooking what is now the Gail Kern Paster Reading Room was designed and created by, who depicted the familiar ' soliloquy from. Elizabethan Theatre Initially, the Elizabethan Theatre was not intended for theatrical performance. The original model was the, and then the; these models proved difficult to replicate exactly, and the Folgers ultimately decided to incorporate features from multiple theaters to give visitors a general picture of a theater during the Elizabethan era. Before Folger Theatre productions began, the Elizabethan Theatre was used for concert performances and academic lectures. The theater, which seats around 260, has no pit.

Painted on the ceiling is a well-known quote from As You Like It: 'All the world's a stage, and all the men and women merely players.' The first theatrical performance in the Elizabethan Theatre was a 1949 production of by the Amherst Masquers. The Folger Theatre Group formed in 1970 when the Elizabethan Theatre became compliant with Washington, D.C. Fire safety laws. Early productions included Dionysus Wants You!, which adapted into a rock musical, and.

Elizabethan Garden At the east end of the building is an Elizabethan Garden featuring plants from Shakespeare's plays, opened in 1989 amid the four magnolias planted by Emily Jordan Folger in 1932. In 2003, several sculptures by based on Shakespeare's plays joined the Elizabethan plants in the garden. West garden Sculptor was hired in May 1930 to design a sculpture of for a garden on the west side of the building. Decades of exposure weakened the statue, and after Puck's right hand was found across the street at the Library of Congress in 2000, the original piece was moved. It now sits above the entrance to the Elizabethan Theatre, and an aluminum statue replaced the original in the garden.

Gwendolyn Wright Bio

The west garden's lawn shrank during the 1959 additions to the library, when part of its space was paved for a new staff parking area. An aluminum casting of 's original statue of stands in the west garden of the Folger Shakespeare Library. Library Collection The Folger houses the world's largest collection of Shakespeare-related material, from the 16th century to the present. The library is best known for its 82 copies of the 1623 (of which only 233 known copies survive) and over 200 of Shakespeare's individual plays. Not restricted to Shakespeare, the Folger owns the world's third largest collection of English books printed before 1641, as well as substantial holdings of and later English imprints. The collection includes a wealth of items related to performance history: 250,000 playbills, 2,000 promptbooks, costumes, recordings and props. It also holds upwards of 90,000 paintings, prints, drawings, photographs, sculptures and other works of art.

The Folger's first catalog of its collection began in 1935, when Edwin Willoughby, a scholar of and the First Folio, began to catalog the book collection based on and 's. Though Willoughby developed a unique based on the Folger's needs, in the late 1940s the Folger adopted that of the. In 1996, Folger staff and readers were given access to Hamnet, the collection's online catalog; the site became available to the public in 2000. Today, the Folger uses several classification systems. Printed books. Rare books stored in the Folger's Vault In all, the library collection includes more than 250,000 books, from the mid 15th century—when the was invented—to the present day.

In addition to its 82, 229 early modern quartos of and and 119 copies of the, Third, and Fourth Folios, the Folger holds some 7,000 later editions of Shakespeare from the 18th century to present, in more than 70 different languages. Beyond its Shakespearean texts, the library's collection includes over 18,000 early English books printed before 1640 and another 29,000 printed between 1641 and 1700. The library holds 35,000 early modern books printed on the European continent, about 450 of which are. The topics of these texts vary widely, ranging across literature, politics, religion, technology, military history and tactics, medicine, and over 2,000 volumes on the. Manuscripts The Folger holds some 60,000 (from and to and ). These handwritten documents date from the 15th to the 21st century and cover a variety of subjects: documents related to performance history and literature, personal correspondences, wills, love letters, and other materials of daily life. Notable manuscripts include the in England, a list of quotations compiled while writing, the 18th-century Shakespeare forgeries of, and the papers of legendary 18th-century actor.

The Folger hosts Early Modern Manuscripts Online (EMMO), an -grant funded project to digitize and transcribe English manuscripts from the 16th and 17th centuries in a freely available digital collection. EMMO holds conferences, classes, 'transcrib-athons', and other events at the Folger and elsewhere.

Highlights of the collection Significant items in the Folger's collection include:. The only extant complete copy of Shakespeare’s first quarto, published in 1594. The. The, a unique source for the three early:, and. The manuscript also contains the earliest known staging diagram for any play in England., a single-play redaction of and that is the earliest known manuscript for any of Shakespeare's works.

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