Carol Kaye How To Play The Electric Bass Pdf
A1 Tuning, Bass Lines 1 Both, 2 A2 Bass Lines 3 Both, 4 Both, 5 Both, 6 Both A3 Bass Lines 7 Both, 8 Both, 9 Both, 10 Both A4 Bass Line 11 Both B1 Bass Lines 12 Both, 13 Both B2 Bass Lines 14 Both, 15 Both, 16 Both, 17 Both B3 Bass Lines 18 Both, 19, 20 Both B4 Bass Lines 21, 22, 23, 24 C1 Bass Lines 25 Both, 26 Both, 27 Both, 28 Both C2 Bass Line 29 C3 Bass Lines 30 Both, 31 Both, 32 Both C4 Bass Lines 33 Both, 34 Both, 35 Both D1 Bass Line 36 D2 Bass Lines 37, 38 Both, 39 Both D3 Bass Lines 40 Both, 41 Both D4 Bass Line 42 D5 Bass Line 43 D6 Bass Lines 44, 45, 46, 47. Came with an Electric Bass practice book 'Electric Bass Lines' This album contains practice material for all 47 Bass Lines in the book, including 'How To Sight Read Boogaloo'. This is the first of three LP's: all are identical except for colour: 'Electric Bass' (Green), 'No.1' (Yellow) and 'No. By No.2, Gwyn Publishing appears to be have been incorporated into Warner Bros Publications. There are Electric Bass practice books up to No.6; It is unconfirmed if these had accompanying LP releases or not; if Glyn Publications had been bought out and incorporated into WB Publishing then probably unlikely.
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Carol Kaye How To Play The Electric Bass
'The Electric Bass sounds better if it is a little sharp rather than a little flat or even exactly in tune. Always double check your tuning harmonically on 5th and 7th frets'. (Carol Kaye) Recorded in Hollywood.
Carol Kaye How To Play The Electric Bass Pdf
Gwyn Publishing Co., P.O. Box 5900, Sherman Oaks, California 91413.
Here is an exercise using the 'chordal scale' as taught by legendary recording session bass player and jazz guitarist Carol Kaye. The idea behind the chordal scale is that it is meant to get you hearing and playing using chords based on the notes of a scale verses just running up and down scales.
Bebop and other jazz soloists based their playing on chords that can be played over a given key or tonic centre and not just scales. So getting used to playing in this way can open your ears to more harmonic possibilities in your playing and in particular soloing in a jazz context. This exercise plays triad arpeggios outlining the chords up and down the key of G Major. The chords in the exercise are G, Am, Bm, C, D, Em, F# diminished which equal the I, ii, iii, IV, V, vi, vii chords. For the sheet music to go with this lesson go to.