Motu ethno instrument 2 Motu ethno instrument 2 By the time everything is in full swing, good balance and spread is maintained overall. Ethno accepts files motu ethno. Universal world/ethnic instruments, loops and phrases from around the globe. Ethno Instrument Version 2 delivers expressive ethnic instrument sounds combined with authentic world music loops and phrases in one window. This massive 21GB library delivers all the exotic textures you need to take your recordings to the. Jul 12, 2010. This world/ethnic ROMpler has grown to nearly three times its original size.

1. Motu Ethno Instrument 2 Free Download
2. Motu Ethno 2 Manual

Using Plugin Processors for Professional Sounding Audio Tweak's Guide to Recording Success Store Links s Using Plugin Processors for Professional Sound Bring your audio up to professional spec before you burn that CD by Rich the Tweak OK class, your assignment for today is to put your 2 favorite commercial CDs in the CD player along with your CD you have made. Now take out a sheet of paper and write down the differences you hear between a polished commercial track and yours. If you are a beginner to the craft this is an easy assignment-there may be so many differences that you might not know where to start. For the advanced home producer/engineer you may already be very close. Now it's time to take it the final mile.

Here's my list of issues with my audio (see I get to participate in this too). My mixes are louder, clearer, with better bass, better transients. I've spent nearly a week just getting acquainted, bouncing old songs from DAT into the computer and then processing them. In about two minutes I can get dramatic improvements, just by chaining the 10 band parametric, if needed the Renaissance Bass, the C4 multiband, sometimes the stereo imager, and finally the L1 Ultra Maximizer. If you had a good mix to begin with, you'll find it easy to make it outstanding.

Even if you had a just an old recording from cassette, you'll be surprised to find dynamics and nuances that were deeply buried in the original. The 10 band is so precise you can cut away damaged frequencies surgically, something that my hardware 31 band is supposed to do, but can't, not like this! The L1 Ultramaximer works so well with Logic that the peak meters match exactly. That is, if the L1 says it will limit at.01 db that's exactly where Logic's meter pegs, ditto for bouncing to DAT. The result is increased resolution you can hear. Better tracking, better bouncing and a better mixdown. Each plugin comes with a.pdf and paper manual so you can learn how the experts use these.

I'm also getting awesome results editing samples in SoundForge with them, discovering new ways to polish sounds that eclipses differences between my studio and the big studios downtown. One cool thing is the 10 band parametric. Not only can you EQ your sample exactly the way you like, you can create a different EQ for the left and right side, and level each side so they peak exactly at 0db. And you can give your samples as much high end as you want, and surprisingly, the results are not harsh or strident. This allows one to make the perfect sample. It's good magic.

IZotope's Ozone Mastering System A less expensive, yet complete software mastering system is Ozone comes in the form of a direct x plugin. But it's much more than a single plugin, it's like getting an entire mastering suite in one single interface. You get a paragraghic equalizer which has an excellent real time spectrum analyzer; a mastering reverb; multiband compressor; multiband harmonic exciter; multiband stereo imager and finally, a loudness maximizer. You can chain these up however you like. The bands are moveable, just like on the expensive hardware multibands. One advantage of having all these in one plugin is you can bypass all these functions at once, or quickly bypass only certain ones. This saves time (and wear and tear on your ears) and lets you make the instant comparisons you need to do when mastering.

You'll have a hard time finding plugins that can do multiband imaging and exciting anywhere (you won't find them in the Waves set, for example) and the way these work in concert with the multiband compressors is awesome. One cool thing I was able to do with the imager was to widen the midrange yet leave the bass alone where it was distinct, front and center-try that with your garden variety stereo imager. Also the mastering reverb is truly a godsend, just a little touch goes a long way. I like how you can easily set it to a narrow bandwidth so you get depth exactly where you want it and not where you don't want it. The Loudness Maximizer gives predictable results every time. It has a 'brickwall' limiter much like the Waves L1 that lets you jam audio into every nook and cranny of the audio bandwidth if you desire.

There's also a 'soft limiting' option that is perfect for when you want to exploit the full dynamic range of the audio bandwidth, with quiet sections as well as loud bombasts. I've tried Ozone with Logic 5 (PC) as well as Logic 7 (Mac) and Vegas with excellent, glitch-free results. I also found the spectrum display to be great at helping isolate system noise coming into my audio interface-stuff you can't hear unless you crank the gain.

Mastering is an art that takes practice, but with Ozone, it's easy to get experience under your belt fast. Check it out for yourself and. Tweak gives Ozone two strong thumbs up. Get on Ozone. IK Multimedia IK Multimedia has long been the provider on the less expensive side of the plugin makers.

IK Multimedia's knows that nothing matters most than the final mix. The Classik Studio Reverb and T-RackS plug-ins are world-renowed effects that can help you meet the toughest mixes in the face and wallop them. Bundling them together both complements your studio and your budget. Get your bundle today!

Cleansers Cleansers? Audio can get dirty. Hum from unbalanced lines, ambient noise picked up from mics, hiss from old tapes, scratches on vinyl, and clicks and pops, radio frequency interference from poorly configured soundcards can all conspire to ruin your beautiful sounding tracks. Naturally, the real solution is never to incur these maladies in the first place, but often we don't have that option when we are working for clients, or when grandma wants your second cousin's 4th grade acapella cleaned up. As usual you can pay a little or pay a lot for restoration software, and there is no guarantee they will be able to fix everything. But they will help. Is the most complete audio restoration product on the market.

This standalone application combats a range of audio problems via innovative restoration modules, detailed analysis tools and time-saving workflow features. Ideal for archiving, recording, mastering, broadcasting, podcasting, video production and forensics. Bias makes a PC/Mac entry level plugin called.

I have that one, and it is good if used in moderation. Bias also makes a full-scale version called. Leave it to Waves to chart the high end here with the For those who work on Sound Forge you might want to check out their Noise Reduction 2 plugin. All of the 'cleansers' are going to take practice to perfect.

Its very easy to mess up your files so you want to have backups before you begin. Convolution Reverbs One of the more recent entries into the Plugin Scene are convolutuon reverbs. This differ from typical reverb plugins as they use mathematical models of characteristics of different spaces to create their effect. The result is a much more realistic reverberant output that can exceed the quality one can achieve in the best hardware reverb boxes. The drawback to convolution reverbs is the immense hit on the CPU. Even today's fastest computers can't do too many of these in real time.

One of the first was Sony's Acoustic Mirror, which is now bundled in Sound Forge. Emagic then launched Space Designer and eventually bundled it into Apple's Logic. Waves released the IR1 Convolution reverb and recently the IRL Convolution Reverb ('L' is for 'light') More cool stuff Spectron is the newest must-have tool for sound designers. It offers limitless spectral processing housed inside a powerful interface which lets the user control entire groups of frequency bands with virtually limitless options for sweeping and triggering.

Motu Ethno Instrument 2 Free Download

By chaining effects including morphing, panning, delay, and filtering. It's almost impossible not to find a unique sound with Spectron. Wrapping Up (sic) for now.

Of course there's tons of other plugins available. I don't have them all, so there is no way this can be considered a comprehensive review. This article just touches on one that I know and like.

The point is that plugins can dramatically alter your sound for the better and if you haven't explored this aspect of your digital audio sequencer you are truly missing out. The Holy Grail of Audio is not as far from your studio as you might think. With quality plugins like Waves, you can jump to the top of the class and deliver some outstanding audio. Best of Luck in your studio enterprise, Rich the Tweak Go to the Go to the.

Packaging: Boxed only, not download. This makes sense, given the size of the library (and the United States ranking 28th in the world for average Internet connection speed). Installation: Read the PDF on the installation disc, which contradicts the otherwise excellent (and helpful) printed documentation. Rydell nissan.

The required iLok copy protection key is included; note that you can install the library (from three double-layer DVDs) on any hard drive, as long as you create an alias in the default location that points to the actual location. What’s hot: I loved the original Ethno instrument, so fortunately while the new version just about triples the size of the library, it also contains all original elements so Ethno 1 projects can load into Ethno 2. The only caveat is if you were using the DXi version. But you probably weren’t, so why worry? (If you were, check the manual before installing version 2.) There are a ton of new instruments, with an accent on voices, as well as lots o’ loops including some bhangra-esque Indian loops and plenty of taiko drums.

Suffice it to say you won’t feel cheated in terms of content. Keyswitched presets are extensive. These combine particular presets (e.g., a staccato version of an instrument and a legato version) into a single preset, where you can choose the articulation via specific keyboard keys.

There’s nothing new here compared to other libraries, but it’s good to see Ethno 2 getting on board with this—as well as with alternate tunings, some of which are available as part of the programs. However, you can also download free Scala alternate tunings (essentially a library of alternate tunings) if you’re into ethnic music and not just ethnic sounds. One of the biggest changes is more reliable operation. Ethno 2 is based on the UVI engine used in PlugSound Pro, which is quite flexible but also has a bit of a “house of cards” feel. Or at least, did; the latest version is solid, and so is the time-stretching fidelity—and you can even drag loops into your host as audio files, or MIDI triggers for Ethno 2’s sliced loops. Finally, although this feature was in the first version, it’s worth noting there are individual outputs for multi-timbral parts so you can add all kinds of outboard processing.

Conclusions: Ethno 1 was a fine virtual instrument, so rather than deliver any radical changes, Ethno 2 gives you more—more sounds, loops, presets, reliability, and so on. Of course, if you’re not into ethnic sounds, Ethno 2 is about as useful as guitar picks for saxophones; and the price, while fair, doesn’t exactly make this an impulse buy. But if you’re looking to push the musical envelope with sounds that draw from around the world, you’ll be hard-pressed to find anything better than—or even equal to—Ethno 2. Why: People have short attention spans. So if you’re still reading this, consider inserting different flavors into your musical productions (hip-hop’s way ahead of rock in this respect). Or, be ready to score that scene in the next James Bond movie where he’s in some exotic locale.

Motu Ethno 2 Manual

Packaging: Boxed only, not download. This makes sense, given the size of the library (and the United States ranking 28th in the world for average Internet connection speed). Installation: Read the PDF on the installation disc, which contradicts the otherwise excellent (and helpful) printed documentation. The required iLok copy protection key is included; note that you can install the library (from three double-layer DVDs) on any hard drive, as long as you create an alias in the default location that points to the actual location.

What’s hot: I loved the original Ethno instrument, so fortunately while the new version just about triples the size of the library, it also contains all original elements so Ethno 1 projects can load into Ethno 2. The only caveat is if you were using the DXi version. But you probably weren’t, so why worry? (If you were, check the manual before installing version 2.) There are a ton of new instruments, with an accent on voices, as well as lots o’ loops including some bhangra-esque Indian loops and plenty of taiko drums.

Suffice it to say you won’t feel cheated in terms of content. The effects have been upgraded, with eight modeled filter responses and modeled analog EQ (which can be different for each of the multi-timbral parts), and more CPUfriendly convolution reverb.

And the browser has been revamped, offering more search options (instrument, geography, loops only, etc.). It’s also possible to audition presets more easily for faster sound loading. Keyswitched presets are extensive.

These combine particular presets (e.g., a staccato version of an instrument and a legato version) into a single preset, where you can choose the articulation via specific keyboard keys. There’s nothing new here compared to other libraries, but it’s good to see Ethno 2 getting on board with this—as well as with alternate tunings, some of which are available as part of the programs. However, you can also download free Scala alternate tunings (essentially a library of alternate tunings) if you’re into ethnic music and not just ethnic sounds. One of the biggest changes is more reliable operation. Ethno 2 is based on the UVI engine used in PlugSound Pro, which is quite flexible but also has a bit of a “house of cards” feel.

Or at least, did; the latest version is solid, and so is the time-stretching fidelity—and you can even drag loops into your host as audio files, or MIDI triggers for Ethno 2’s sliced loops. Finally, although this feature was in the first version, it’s worth noting there are individual outputs for multi-timbral parts so you can add all kinds of outboard processing. Conclusions: Ethno 1 was a fine virtual instrument, so rather than deliver any radical changes, Ethno 2 gives you more—more sounds, loops, presets, reliability, and so on. Of course, if you’re not into ethnic sounds, Ethno 2 is about as useful as guitar picks for saxophones; and the price, while fair, doesn’t exactly make this an impulse buy. But if you’re looking to push the musical envelope with sounds that draw from around the world, you’ll be hard-pressed to find anything better than—or even equal to—Ethno 2. More from this Studio Roundup.