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Hemlata Background information Birth name Lata Bhatt Also known as Hemlata, Hemalatha, Hemlata Bali Born ( 1954-08-16) 16 August 1954 (age 63) Origin, India Genres, Occupation(s) Playback singer Instruments Vocals Years active 1968–present Hemlata (born 16 August 1954 in, ) has been one of the most famous and successful leading in since the late 1970s. She is classically trained and has a unique style of singing which makes her stand apart from other playback singers of her era. She had established herself on her unique exquisite voice quality that she delivered in various Indian Films, Concerts, T.V. Serials, Music Albums and gave many unforgettable songs like,.

Her magnificent velvety voice rich in emotion and expression has reached to millions of music lovers, touching their souls as she has recorded more than 5000 songs and has sung in more than 38 Regional, National and International languages including, etc. She was nominated for five times in the period of 1977–1981 and won once for in 1977 for her classical rendition of 'Tu Jo Mere Sur Mein' which was duet with, composed. In her career, she worked with various renowned music composers, Including, majority with and.

She has sung with most of the leading male and female playback singers of her times like, and several others. She became the screen voice of some of the famous Bollywood actresses like,.

Contents. Early life and background Hemlata was born on 16 August, in.

Her maiden name being 'Lata Bhatt'. Her childhood passed in. Hemlata has been in the Industry since the age of 13 years. Hemlata came from an orthodox Marwari Brahmin family. Her grandfather late, belonged to a village Sehla of District in Rajasthan. He was the guru and spiritual master of Maharaja of that region. Later he settled at for the purpose of business.

Her father late Pandit Jaichand Bhatt, who became an Internationally acclaimed singer, performer, musician and teacher in the field of classical & folk music. She learned music against the family traditions. He regarded as a sole representative of illustrious of and himself a disciple of. Among the many well-known disciples of Pt. Jaichand Bhatt were Pt. (of Bengal), (Serampore), (Calcutta based music director), (most notable music director). Hemlata loved singing since childhood but her father did not encourage her as he did not want to let Hemlata enter the field of music.

He was steeped in orthodox culture and was totally against her learning music. Because of her father's opposition she did not express her feeling to learn singing. She sang in hiding in Pooja Pandals, but it was destined that she would become a singer. It was around the time Hemlata was seven, disciple of her father, used to be on the organising committees of several big concerts and conferences who recognised her singing talent and gave her an opportunity to perform live before large audience for very big musical concert organised by him at Rabindra Stadium of where all-time greatest singers like, were to perform. She had espacially invited his Guru Pt. Jaichand Bhatt by persuading him to attend the concert as she wished that Guruji also know the hidden talent of his daughter., and all regaled the audience with their numbers.

Lata Mangeshkar was to arrive late. Gopal Mallik took the opportunity and introduced little Lata as a 'Baby Lata' on stage. Maestro was conducting the orchestra. They asked her what she was going to sing. 'Jago Mohan Pyare', she said.

They refused to play it as Lataji herself was going to sing it. However, with hesitation they finally agreed to accompany her. “As she sang the first word Jago in a prolonged aalap the whole audience roared in appreciation. She finished the song but couldn’t leave the stage as the audience demanded 'once more'. And she had to sing the song four times and the appreciation didn’t stop at that—they kept on requesting more songs, she sang 12 other songs including 'Saat Bhaai Champa Jaago Re', in. Announced Gold Medal for 'Baby Lata'.

After that her father also agreed and realised that he had no right to choke the talent of Hemlata and decided to bring her to. In between, before her family left for that, came to for higher education in music, who used to regularly visit their home to learn music from his Guru Pt.

Jaichand Bhatt, Hemlata was just 12 at that time, after taking lesson, he played his own compositions in on the harmonium and little Hemlata used to sing them. Hemlata's mother Ambica Bhatt also encouraged her. Career Early career It was in late 1966, that her family came to, where they resided at in southern, India.

While in Bombay they visited khan, under his lots of moral support, her family shifted to residence in, Bombay. Next, they visited, from whom she learned Ghazal singing. Next, her father brought her to met producer-director P. Santoshi, with introduction letter from his 's friend Barrister. Santoshiji offered to give her a break in one of his forthcoming films.

Next, a rank newcomer, Hemlata received invitation from the music director, who asked her to sing and was very impressed by hearing her voice that she was singing a non-filmic composition, then impressed Naushad Ali, who had promised Hemlata that he would give her an opportunity to sing in his films but advised her to wait till her voice matured, then Hemlata signed five-year contract with Naushad Ali. She began her formal training of playback singing under Naushad Ali. On those days, Hemlata was in news as she was introduced by Naushad Ali, in the world of playback singing.

For the reason of that, she got several offers from other well known music directors. In consequence of contract limitation she declined them and, waited long for her career's first song but, that moment could not happened. Then some of her well-wishers advised her that if she continued contract till the end then, after five years when she came back to the industry, nobody would help her as she already discouraged all and she might not to be get any chance of singing.

After this advice, she discontinued the contract and started working with other music directors. On very first day, she received invitation from music director through whom she did her first ever concert at the Shanmukhananda Hall, Bombay, India, in 1967. In which her performance was highly appreciated by wide range of audience and all the Bollywood celebrities who were present in the concert including, and several others. In the same week, she recorded her first ever song ' under composition of for movie coincidentally, the director of this movie was P. Santoshiji one of the most respected person to whom she met and received the offer of singing when she came to Bombay. On the same day, she also recorded under composition of for movie, she sang this song along with her most favourite singer.

However, her first released song was from the movie (1968) again it was the composition of Usha Khanna. At the age of 14, she got an opportunity to record one Ghazals under the auspice of music director.

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From thereon, she sang many songs including composed by for movie (1969), along with composed by Usha Khanna for movie (1969), along with and composed by for movie (1969), along with composed by for movie (1970), composed by for movie (1970), composed by for movie (1970), along with composed by for movie (1971), along with composed by for movie (1971). During the late 1970s, she toured India's border posts, entertaining soldiers with 's and 's. In 1970, the German-based music company, that entering the market, to competing it, issued the first-ever in Hindi film music history with parallel to the Polydor's original soundtracks of movies, and in voices of Hemlata, Amber Kumar and their ilk. Leading career In the early 1970s, came to to try his luck. Before arrival of she already sang more or less 100/150 songs. Initially, Ravindra Jain used her voice for his debut movie 'Kanch Aur Heera (1972)' then for 'Rakh Aur Chingari (1974)', 'Geet Gata Chal (1975)', 'Salaakhen (1975)' and for 'Tapasya (1975)', which not have blazed the charts.

However, Hemlata gained recognisation when Ravindra Jain gave her a break for movie (1976) for song 'Sun Ke Teri Pukar'. Populality of this song proved to be a turning point in her career. Her career hit the big league while in the same year, used her voice for Rajshri Banner's movie ' which fetched her coveted. Thereafter, Hemlata had established herself on her unique voice quality that she delivered in various movies of in the 1980s and 1990s, including (1977), (1977), (1978), (1979), (1979), (1979), (1979), (1980), (1982), (1984), and (1986).

In association with, she had worked on many other songs. Among them is 'Ankhiyon Ke Jharokhon Se'. According to the (a radio show that used to compile records of album sales), it became the number one song in the year 1978. Hemlata was also nominated for for the best female playback singer for this song. It has received millions of views on YouTube. Hemlata sang on Jain's cassette album (1991) dedicated to, and sang songs from this album in two concerts in Brussels, Belgium in July 1992. She is the only Indian playback singer who has recorded maximum number of Hindi songs with living legend.

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In the 1990s, had invited her to perform 'Tista Nadi Si Tu Chanchala' along with and 'Saath Jo Tera Yun Paya' for herself under the composition of which both songs were frequently broadcast on as a 'filler' in between programmes, especially in the evenings. ‹ The below ( ) is being considered for merging. See to help reach a consensus. › Year Nominee/work Award Result 1977 'Tu Jo Mere Sur Mein' ( ) Won 'Sun Ke Teri Pukar' ( ) Nominated 1979 'Ankhiyon Ke Jharokhon Se' ( ) Nominated 1980 'Megha O Re Megha' ( ) Nominated 1981 'Tu Is Tarah Se Meri Zindagi Mein Shaamil Hai' ( ) Nominated Filmography 2000s Year Song name Film name Co-singer Music director Lyricist Lang 2015 'Maa Mujhe Aane De' Beti Bachao Beti Padhao Solo Hemant Mehta Hemant Mehta 2008 'Hey Ganga Maai Hum Hain Tohaar Parchhai', 'Kaga Bole Kaon Kaon' Gaon Ki Ganga Solo C.

Running time 187 minutes Language, English Budget ₹6.2 crore (equivalent to ₹37 crore or US$5.8 million in 2016) Box office ₹2.3 crore (equivalent to ₹14 crore or US$2.2 million in 2016) Lamhe (English: 'Moments') is a 1991 Indian film, directed by, and starring and. The story was written by and. It was inspired by the 1986 film, which was also written by Rahi Masoom Raza. Lamhe was shot in two schedules in Rajasthan and London. Over the years, it has been hailed as a classic and possibly 's finest film. Received widespread acclaim for her performance in the film and won the. Although a commercial failure in India, it became a success in the UK.

Lamhe went on to win several awards and features in Outlook magazine's list of Bollywood's Best Films. It has been cited as Yash Chopra's personal favourite of the movies he has done. This was one of the last films that Dr. Rahi Masoom Raza scripted.

He died a couple of months after its release. On the occasion of the Centenary of Indian Cinema in 2013, Lamhe featured among the Top Ten Romantic Movies Of 100 Years. Contents. Plot Virendra 'Viren' Pratap Singh travels to Rajasthan with his governess, affectionately called Dai Sa.

He meets the beautiful Pallavi and falls in love with her. However, she is older than him, though this does not bother Viren. During a property dispute and a court case, Pallavi's father dies of a heart attack. She is shattered and goes into isolation.

At the wake, Viren goes to console her, when she runs past him—towards Siddharth, the man she loves. Viren is heartbroken but, to fulfill Pallavi's father's dying wish, he arranges the wedding between Siddharth and Pallavi. Allowing Pallavi to live her life happily, Viren leaves for London.

One year into the marriage, Siddharth and Pallavi are killed in an accident. She was pregnant at the time and gives birth to a daughter. The girl is named Pooja and is raised by Dai Sa.

Viren's childhood friend, Prem , is aware that Viren's heart still pines for Pallavi. Over the course of time, and with much persuasion, Viren slowly hops back into reality. His friend Anita (Dippy Sagoo) falls for him. She knows about Viren's love for Pallavi and constantly tries to gain his attention.

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Viren visits Rajasthan once every year, for Pallavi's death anniversary, and buys gifts for the young Pooja. He never meets her, remembering that she was born on the day Pallavi died. He never spends any time with her, which makes Pooja sad. A few years later, Viren returns from London and meets the grown up Pooja for the first time. He is shocked to see that she looks exactly like her mother.

Pooja and Dai Sa come to London for vacation, and there Anita discovers that Pooja is the image of Pallavi. This upsets her as she is afraid that Viren will eventually fall for Pooja. Pooja develops feelings for Viren whom she lovingly calls 'Kunwarji'. Prem also likes Pooja and understands that Pooja loves Viren. Though he likes the alliance, he is skeptical since Viren is living in the past. Later, Anita realises that Viren is over Pallavi and has fallen for Pooja.

She confronts Pooja over her feelings for Viren and tells her that she is a responsibility for Viren and nothing else. Eventually, she tells Pooja that she is a kid infatuated by Viren and asks what relation Pooja is to Viren that she acts authoritatively over him. Pooja retorts by saying that if she is not related to Viren, Anita is not related to him either. This frustrates Anita leading her to lambast Viren about having feelings for a younger woman.

Pooja finds a sketch (which Viren had made years earlier of Pallavi, her mother) and misunderstands that it is a sketch of hers. She dresses in traditional clothes and when he comes home, she asks him to put 'sindoor' on her since he loves her.

Furious, he reveals to her that he had loved her mother and not her. Pooja is heartbroken and returns to India with Dai Sa. Viren decides to marry Anita since he feels she has been waiting for him for a long time. Pooja says that she will marry on the condition that Viren must marry before her. Pooja lies and tells Viren that she is already married. However, Pooja never marries for her love for Viren was too great.

Viren understands that she is lying and lies to her as well. He sends her a marriage invitation to make her believe that he is truly getting married. The resolution she took shows a heartbroken Pooja narrating a folk tale to an audience in a village show. After the show, Viren approaches a confused and wary Pooja. Viren reveals that he realised, after she left London, she had lied. He tells her that he is not married either. He says that he loves Pooja and not her mother.

She runs into his arms and they are together at last. Cast. as Pallavi and Pooja; in a double role (as both mother and daughter). as Virendra Pratap Singh (a.k.a Viren/Kunwarji). as Dai Sa. as Prem.

Dippy Sagoo as Anita Malhotra. as Kothiwale Thakur (Pallavi's father). as Sudheshwar Narayan Tiwari. Deepak Malhotra as Siddharth Bhatnagar. as Folk dancer in the song 'Chudiyan Khanak Gayee'. as Young Pooja. Vikas Anand as Doctor Vikas Music The music was composed by and (known together as ) and lyrics were provided.

The song 'Kabhi Main Kahoon' was made from melody used as background music in Yash Chopra's previous movie, also scored by Shiv-Hari. In the famous parody sequence, Waheeda Rehman danced to 'Aaj Phir Jeene ki Tamanna Hai' – the superhit number from her classic.